Peranakan is a term used to describe the descendants of the
15th through to 17th-century Chinese and European immigrants who settled in the
Indonesian archipelago and what was then called British Malaya, and now is
known as Malaysia and Singapore.
I only become aware of this phenomenon when I moved to
Singapore in the autumn of last year. The traders and middlemen that came to
these shores often inter-married with the local population, and took up the native
customs, but still kept references to their own ancestry and culture. The
Peranakan retained most of their ethnic and religious origins but assimilated
the language and culture of their adoptive country.
That created a heady mix of artefacts, rituals and
traditions, including ancestor worshiper - I encountered this `street scene` one morning, on my way to
work.
They almost always had the ability to
speak two or more languages, and created a rich culture that can be admired to
this day.
The Peranakan women are called Nonya. Nonya
clothing – long jacket with a sarong (wrap-around skirt) is used occasionally
as formal attire. Beadwork and embroidery are a vital part of Peranakan
material culture. Young Nonyas started learning needlecraft and cooking in
preparation for marriage.
Fanciful furniture, silverware and brightly coloured porcelain
were often commissioned by wealthy Peranakan households to showcase their
status within the society.
This is a typical set of enamelled porcelain that was found
in many Peranakan homes. These three Chinese deities represent happiness,
prosperity and longevity.
I took the above photos in the Peranakan Museum in Singapore.
Hosted in the former Tao Nan Chinese School, the museum`s galleries
tell an interesting story of the living culture of the Peranakan community in
the region. A `must see` if you want to be educated and entertained at the same
time.
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